{"id":2487,"date":"2025-03-24T21:41:20","date_gmt":"2025-03-24T20:41:20","guid":{"rendered":"https:\/\/julienchazal.com\/?page_id=2487"},"modified":"2026-02-25T20:02:47","modified_gmt":"2026-02-25T19:02:47","slug":"cinema-video","status":"publish","type":"page","link":"https:\/\/julienchazal.com\/en\/services\/cinema-video\/","title":{"rendered":"Cin\u00e9ma & Vid\u00e9o"},"content":{"rendered":"
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Cin\u00e9ma & Vid\u00e9os\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Movement in the letters<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCalligraphy and cinema<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dans la grande tradition du cin\u00e9ma, les artistes contribuent aux effets visuels : d\u00e9cors, storyboards, effets sp\u00e9ciaux… Les textes manuscrits sont eux aussi utilis\u00e9es pour servir au mieux l’histoire racont\u00e9e. La calligraphie offre ainsi beaucoup de possibilit\u00e9s : affiches, g\u00e9n\u00e9riques, correspondances \u00e9chang\u00e9es par les personnages, d\u00e9corations murales, vieux parchemins, grimoires, cartes aux tr\u00e9sors…!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"IMAGES-Cinema-1\"<\/figure><\/div>
\"IMAGES-Cinema-2\"<\/figure><\/div>
\"IMAGES-Cinema-3\"<\/figure><\/div>
\"IMAGES-Cinema-11\"<\/figure><\/div>
\"IMAGES-Cinema-4\"<\/figure><\/div>
\"IMAGES-Cinema-5\"<\/figure><\/div>
\"IMAGES-Cinema-6\"<\/figure><\/div>
\"IMAGES-Cinema-7\"<\/figure><\/div>
\"IMAGES-Cinema-9\"<\/figure><\/div>
\"IMAGES-Cinema-8\"<\/figure><\/div>
\"IMAGES-Cinema-11\"<\/figure><\/div>
\"IMAGES-Cinema-10\"<\/figure><\/div>
\"IMAGES-Cinema-13\"<\/figure><\/div>
\"IMAGES-Cinema-12\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Filmography<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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  • Le Pacte des Loups<\/strong>, de Christophe Gans (2001) – France<\/li>
  • L’Affaire du Collier<\/strong>, de Charles Shyer (2002) – Am\u00e9ricain<\/li>
  • Adophe<\/strong>, de Beno\u00eet Jacquot (2002) – France<\/li>
  • Du Rouge sur la Croix<\/strong>, de Dominique Othenin-Girard (2006) – France-Suisse-Autriche<\/li>
  • Moli\u00e8re<\/strong>, de Laurent Tirard (2007) – France<\/li>
  • Tierra(s) De Sangre<\/strong>, de Dominique Maillet (2009) – France<\/li>
  • CZ12 (Chines Zodiac)<\/strong>, de Jackie Chan (2012) – Hong-Kong<\/li>
  • Violette<\/strong>, de Patrick Provost (2013) – France<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    & pour tous les types de vid\u00e9os<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    Calligraphy goes very well with video. The letter is alive, and the hand tracing on the paper always gives it a strong grace and authenticity.
    The agency's projects offer this link between the possibilities of calligraphy and dynamic scenarios that put the graphic applications of this craft into perspective, while at the same time enhancing the value of the product.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    <\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    <\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    <\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    <\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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    La calligraphie constitue mon art et mon savoir-faire. Le geste et le trac\u00e9 de la lettre ont toujours quelque chose de fascinant. Ils parlent \u00e0 chacun d’une mani\u00e8re intime et fa\u00e7onnent les textes avec \u00e9l\u00e9gance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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    <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Cin\u00e9ma & Vid\u00e9os Du mouvement dans les lettres Calligraphie et cin\u00e9ma Dans la grande tradition du cin\u00e9ma, les artistes contribuent aux effets visuels : d\u00e9cors, storyboards, effets sp\u00e9ciaux… Les textes manuscrits sont eux aussi utilis\u00e9es pour servir au mieux l’histoire racont\u00e9e. La calligraphie offre ainsi beaucoup de possibilit\u00e9s : affiches, g\u00e9n\u00e9riques, correspondances \u00e9chang\u00e9es par les […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1114,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"iawp_total_views":22,"footnotes":""},"folder":[],"class_list":["post-2487","page","type-page","status-publish","hentry"],"blocksy_meta":{"page_title_panel":"","has_hero_section":"disabled","9ccc6e22b0ebde1833393100f265018f":"","hero_section":"type-1","hero_elements":[{"id":"custom_title","enabled":true,"heading_tag":"h1","title":"Home"},{"id":"custom_description","enabled":true,"description_visibility":{"desktop":true,"tablet":true,"mobile":false}},{"id":"custom_meta","enabled":false,"meta_elements":[{"id":"author","enabled":true,"label":"By","has_author_avatar":"yes","avatar_size":25},{"id":"post_date","enabled":true,"label":"On","date_format_source":"default","date_format":"M j, 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